Tiger Who Came To Tea ‘could lead to rape and harassment’, campaigner claims 

Children’s book The Tiger Who Came To Tea ‘could lead to rape and harassment’ because it reinforces gender inequality that causes violence against women, campaigner claims

Book was dubbed ‘problematic’ by Rachel Adamson from Zero Tolerance charity She said the Judith Kerr classic featured an ‘old fashioned’ portrayal of women Ms Adamson did not call for banning book but said it could ‘raise a conversation’ 



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It may have delighted generations of children, but The Tiger Who Came To Tea reinforces gender inequality which causes violence against women and girls, a campaigner said yesterday.

Rachel Adamson, of Zero Tolerance, a charity working to end men’s violence against women, said Judith Kerr’s 1968 classic was ‘problematic’ because of its ‘old fashioned’ portrayal of women and family dynamics.

The book sees an uninvited tiger join a young girl and her mother for tea before eating all the food in the house, drinking everything, running the taps dry and leaving. 

The girl’s father then comes home and takes her and her mother to a cafe.

Miss Adamson did not call for the book to be banned but said it could be used to ‘raise a conversation’ in nurseries. 

She told BBC Radio Scotland: ‘We know that gender stereotypes are harmful and they reinforce gender inequality, and that gender inequality is the cause of violence against women and girls, such as domestic abuse, rape and sexual harassment.’

Adamson questioned the tiger’s gender and why he was not female or gender neutral.

She also highlighted the ‘old fashioned, stereotypical’ ending in which the father comes home from work and ‘saves the day’ by taking his family to a cafe.

The book sees an uninvited tiger join a young girl and her mother for tea before eating all the food in the house, drinking everything, running the taps dry and leaving (Pictured: Illustration from book) 

Rachel Adamson, of Zero Tolerance, a charity working to end men’s violence against women, said Judith Kerr’s 1968 classic was ‘problematic’ because of its ‘old fashioned’ portrayal of women and family dynamics (Pictured: Illustration from book)

She said: ‘We need to recognise these aren’t just stories… I know this will make a lot of people unhappy, but one of the books is The Tiger Who Came to Tea… Judith Kerr is a wonderful author. 

‘However, it is reflective of a society that we need to think more closely about.’

Kerr was born in Berlin and settled in London in 1936 aged 13 after fleeing Germany before the Nazi party took over. She died in 2019, aged 95.

The Tiger Who Came To Tea was born out of conversations at home with her two small children when they were bored.

She said: ‘We’d go for a walk and have tea, and that was it really. And we wished someone would come. So I thought well, why not have a tiger come?’

She denied that there was a darker meaning to the story, such as that the tiger represented the Nazis, saying the creature was meant to be harmless.

It is thought the book has sold more than five million copies worldwide since 1968.

Meghan Gallacher, the Scottish Conservatives’ spokesman for children and young people, told The Daily Telegraph: ‘While attitudes understandably change over time, parents will be left bemused at some of these claims by Zero Tolerance.

‘This sort of language is completely unhelpful as we try to educate children about much-loved publications from days gone by.

‘There are far better ways for this publicly funded group to go about changing attitudes, rather than simply calling for these books to be banned from nurseries.’

Was The Tiger Who Came to Tea really about the Nazis? Its brilliant creator had fled from Hitler. But she always insisted THAT great book was about… a hungry tiger!

Legendary children’s writer Judith Kerr very nearly did not survive to write any of her beloved books.

Her father, a Jewish newspaper columnist in Weimar Germany and an outspoken critic of the Nazis, was forced to flee Berlin with his family in 1933. As Hitler rose to power, Alfred Kerr was thrown out of work and Josef Goebbels ordered his books to be burned.

A child of nine at the time, Judith did not realise how desperate their plight was until much later when she found a letter her despairing father had written to a friend. Her mother Julia, much younger than Alfred, was talking constantly of suicide, he said — and of ‘taking the children with her’.

They escaped to Switzerland and then to France, but Alfred still found it impossible to earn a living because he was Jewish and couldn’t write well in French. In desperation he wrote a film script, imagining the rise of Napoleon from the viewpoint of the dictator’s mother, and sent it to celebrated film-maker Alexander Korda. Though the movie was never made, the £1,000 that Korda paid for the rights enabled the Kerrs to get to Britain and safety.

These traumatic years left a deep mark on Judith, who never forgot how political upheaval looked through the eyes of a child. On the day she and her older brother Michael had to flee Berlin, she was told she could take just one toy.

After a childhood of terror and death threats in Nazi Germany, Judith (pictured aged six) escaped first to Switzerland and France before being moving with her family to Britain in 1933. She was nine years old at the time

Judith chose a woolly dog that she had recently been given. Before long, she was tearfully regretting her decision — she had left behind a pink cloth rabbit that was her favourite comforter from babyhood. Her sense of injustice at the loss lasted all her life: when she wrote the first volume of her autobiography in 1971, she called it When Hitler Stole Pink Rabbit.

By then, she was already drawing avidly. Her earliest memory was of sitting on a kerb aged two, ignoring the children playing around her and drawing in a puddle of oil with a stick.

A few years later, she presented her mother with a drawing of the Garden of Eden. A figure in a beret stood under one of the trees. ‘That’s God,’ explained Judith. Even as a small girl, she had a knack of creating improbable images that somehow made perfect sense.

After the war, she won a scholarship to the Central School of Arts and Crafts, where she met lifelong friend Peggy Fortnum — who went on to draw Paddington Bear.

Her initial success came when she won first prize in a Daily Mail art competition in 1949.

She spent the money on a trip to Spain, to see Goya’s masterpieces, and then got a job teaching at a college in Lime Grove, close to the BBC studios that she would sometimes visit to eat in the canteen.

Judith Kerr, author of The Tiger Who Came To Tea, died in 2019 aged 95 following a short illness

It was there she bumped into a writer, Nigel ‘Tom’ Kneale, and fell in love almost instantly: ‘There was total recognition,’ she said.

Kneale was in demand, the creator of the sci-fi scientist Quatermass, and he helped Judith get work as a script editor. They married in 1954, at Chelsea Register Office.

They bought a flat in Kensington and painted all the walls in bright colours, as a protest against the drabness of the times — ‘nothing to eat except dried egg, but you hadn’t been killed and you could work at anything you liked’.

When her children Tacy and Matthew were born, she tried her hand at textile design, selling patterns for children to John Lewis. To entertain her toddlers, she began making up stories.

Their favourite was the one about the hungry ‘tiger who came to tea’, which they wanted to hear again and again. ‘Talk the tiger!’ Tacy would demand. Her favourite part was the ending, when Daddy came home and took the family out ‘in the dark’ for sausage, chips and ice cream.

The book sees the visitor, a tiger, politely inviting itself into the kitchen. It proceeded to eat the family out of house and home, even guzzling ‘all Daddy’s beer’ and ‘all the water in the tap’.

Judith (pictured receiving the BookTrust Lifetime Achievement Award) loved to work, and always said her greatest fear was becoming too old to write

The Tiger Who Came To Tea has a happy ending though  and so, despite all the odds, did the story of Judith Kerr herself.

Many parents might suppose the appeal of the Tiger image lay in a takeaway supper. Judith, with her instinctive understanding of a child’s mind, saw that the real excitement was the thought of an adventure in the dark.

She drew the illustrations, basing the father on her husband, and then faced three years of rejections from publishers before the story was published in 1968.

It has been subjected to intense analysis ever since by readers trying to understand its magical appeal.

The former Children’s Laureate Michael Rosen drew parallels, in a 2013 BBC documentary, between the book and the author’s life: she was no stranger, he pointed out, to the knock on the door, the monster tearing her world apart.

Newsnight’s Emily Maitlis admitted she asked the author ‘if the tiger symbolised the 1960s revolution where normal mores and suburban life became upended by this wild creature’. Judith’s patient answer to these theories was always the same. The tiger was just a tiger. It was hungry, and it wanted its tea.

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